The Beatles broadly sang about “Lucy overhead With Diamonds.” But for one of the Fab Four, it was George in the Back Room with Rubies at the famous New York rock club Max’s Kansas City.
The new narrative “Nightclubbing: The Birth of Punk Rock in NYC” — which will screen at Joe’s Pub on Tuesday, Wednesday and July 30 — uncovers that George Harrison had a jewel of an approach to getting chicks in the VIP back room of Max’s.
“He generally conveyed a little pocket of rubies,” reviewed Max’s legend Alice Cooper in the doc. “Furthermore, when he concluded which one he needed to be with, then, at that point, he would place the ruby down before her. What’s more, in the event that she got the ruby, that was settled.”
“Nightclubbing” — which debuted at the Dock of the Bay Film Festival in San Sebastián, Spain, in May — takes you inside the sex, medications and rowdy ‘that went down at Max’s Kansas City in the early whipping of the underground rock development with NYC-reproduced acts, for example, the Velvet Underground, the New York Dolls and the Ramones. In addition to a troublemaker mecca, it was likewise where any semblance of Bruce Springsteen and Aerosmith were endorsed by Clive Davis, and where Debbie Harry served new-wave mentality as a server prior to shaping Blondie.
“It was the cool factor,”
“There was a lot of other little places to play, but Max’s was the place. It was the cool place.”
“It was one of the homes of punk,” added Billy Idol. “That’s what it was for us.”
Restaurateur Mickey Ruskin opened Max’s Kansas City at 213 Park Ave. South in December 1965 — eight years before the more-heralded CBGB. With a restaurant in the front and a back room for VIPs, it turned into a hipster hangout when Andy Warhol became a regular along with scenesters from his nearby studio, the Factory.
Models and movie stars — from Warren Beatty and Jane Fonda to Jack Nicholson and Elizabeth Taylor— would mix and mingle in the buzzy back room.
“It was a great place to hang out,” said Cooper. “There was nobody there trying to get your autograph, ’cause everybody was bigger than you.”
Max’s added live music in 1969, featuring acts such as the Stooges. Cooper recalls one particularly piercing performance by Stooges frontman Iggy Pop, who, bloodied from rolling around on glass onstage, had to get 16 stitches afterward.
“I think [Stooges manager] Danny Fields and I were the ones who took him to the hospital,”
It was also at Max’s where Iggy Pop met David Bowie, sparking their renowned creative collaboration, while Ziggy Stardust also drew inspiration from Cooper and his eponymous group for his Spiders from Mars backing band.
As Max’s became more of a proper live music venue with its upstairs room in the early ’70s, there was plenty of debauchery. It wasn’t uncommon to find people having sex in the bathroom or shooting amphetamine into their butt.
“It was all about sex and drugs,”
said trans punk-rocker Jayne County.
County also recalled Dee Dee Ramone revealing his scarred penis after he was attacked during an altercation with his girlfriend.
“She freaked out and tried to stab Dee Dee in the c–k, and tried to cut his c–k off,” she said. “And he had scars on his c–k.”
also recounts how Sid Vicious played his last show at Max’s in 1978, 12 days before his girlfriend Nancy Spungen was found dead at the Chelsea Hotel. Vicious was arrested for her murder but never went to trial, because he died from a heroin overdose while out on bail.
Idol fondly recalled playing the closing night at Max’s Kansas City in 1981, performing “Dancing With Myself” among other tunes.
“It was my way of saying thanks…cementing myself a little bit with the Max’s history in a way,”